Modernist Myth in Suna no Onna’s The Woman in the Dunes...

Modernist Myth in Suna no Onna’s The Woman in the Dunes The Woman in the Dunes (Suna no Onna, 1964) was directed by Hiroshi Teshigahara and based on the novel by Kobo Abe and falls into the camp of modernism. It’s a faithful adaptation and has realistic and expressionistic elements. Because it is a parable and paradoxical, there are many interpretations – in other words, we’re on our own with this one. An entomologist (Niki) is walking in a stark desert-scape. Everything is shot in black and white. There are closeups of bugs and sand. In one shot, a grain of sand takes up the whole screen. Sand is moving and pouring, it’s a living entity, an organism. The sun is a powerful presence. The man sits in a boat that appears skeletal in†¦show more content†¦There are other sand dwellers nearby, but we never see them. â€Å"This way please,† she says. She is beautiful and passive; she accepts her fate. She could be Eve, except that there is no garden. While he eats, she fans him. She says many curious things about the sand, including: â€Å"last year the sand swallowed up my husband and daughter.† There are weird montages and jarring music. Some of this shows similarity to what other filmmakers were doing at the time, such as the Italian director Michelangelo Antonioni and the French New Wave. Such directors were concerned with artistic vision, experimentation, alienation, and the social-political uses of cinema. At night they sleep next to each other. The sensuality is building slowly. He looks at her body, covered by sand. Her body undulates like the sand, like the surroundings. In the morning, however, there’s no ladder and he’s in a panic. This is an interesting dash of poetic justice, for the entomologist has no problem with capturing bugs from their habitat and bottling them or pinning them to a board. Keiko I. McDonald argues that â€Å"The irony lies in the shared fate of the tiny insects pinned down to the board and the entomologist who pinned them there. Both are helpless victims; just as the insects are classed into some genus and species, so is man forced into a socially fabricated identity. Like the insects, the man is pinned down by the forces of society†

Effects Of Peer Pressure On Conformity - 1531 Words

Effects of Peer Pressure on Conformity Jennifer Smith Argosy University Online Courses Research Methods PSY302 A02 Yvonne Bustamante April 13, 2016 Research Question and Hypothesis What are the effects of peer pressure on conformity? Peer influence increases during adolescence. Peer pressure can promote risky behaviors. (e.g.: Tobacco, alcohol, and drug use.) Peer pressure can lead to aggression. (e.g.: Hazing, teasing, ostracism can spark violence. Online hazing can trigger suicides.) Peer pressure also has positive effects. (e.g.: Peers also model desirable behavior.) Personality and Conformity: High self-monitors tend to conform more than low self-monitors. Dogmatic people tend to conform more than non-dogmatics. Effects of Peer Pressure on Conformity Brown, B. B. (1982). The extent and effects of peer pressure among high school students: A retrospective analysis. Journal of Youth and Adolescence, 11(2), 121-133. As a result of peer pressure being experienced during the high school period, this article was developed to measure the extent as well as the effects of peer pressure among high school students. In coming up with this article, a research that consisted of slightly above one thousand students from the 6th and 12th grade from different schools were analyzed (Brown, 1982). The selected students were offered dissimilar tests of peer compliance. The perception of different peers on the issue of peer pressure were also closely scrutinized during theShow MoreRelatedPeer Pressure, Conformity And Rebellion Essay1586 Words   |  7 Pages Peer Pressure, Conformity and Rebellion How does peer pressure, conformity, and Rebellion affect Adolescents in society? Karla Rios Prof: Jocelyn Castillo Social Psychology Fall 2016 New Jersey City University Abstract The purpose of this literature review paper is to navigate and explore different effects in society towards peer pressure, conformity and rebellion. This study attempts to answer the following research questions: How does peer pressure, conformity, and rebellionRead MoreAdolescence Peers Essay744 Words   |  3 PagesPeers To most adolescents, how their peers see them can play an important role on their everyday lives. When I look back on my adolescent years, I can recall a lot of enjoyable times with my peers such as talking on telephone till I was tired, going to places like the mall, movies, and out to eat, or just plain hanging out. According to the book, peers are children or adolescents who are about the same age or maturity level. Peers can also provide a source of information about the worldRead MoreEssay about Resisting Negative Peer Pressure1055 Words   |  5 Pages â€Å"Conformity is the act of matching attitudes, beliefs, and behaviors to what individuals perceive as normal of their society or social group. This influence occurs in small groups and society as a whole, and may result from subtle unconscious influences, or direct and overt social pressure. Conformity can occur in the presence of others or when an individual is alone† (http://en.wikipedia.org/wiki/Conform ity) Has there been a time when you suddenly found yourself watching a group ofRead MorePeer Pressure1013 Words   |  5 PagesPeer pressure From Wikipedia, the free encyclopedia Peer pressure is influence that a peer group, observers or individual exerts that encourages others to change their attitudes, values, or behaviors to conform the group norms. Social groups affected include membership groups, in which individuals are formally members (such as political parties and trade unions), or social cliques in which membership is not clearly defined. A person affected by peer pressure may or may not want to belong to theseRead MoreSociety vs Self1013 Words   |  5 PagesThe Effects that Society has on Individuals are  Negative Society is, by definition,  a group of people who live in the same area who tend to follow the same standards. Society influences people to follow their expectations, because it is thought of as the right way to live. Due to this influence, society has a negative impact on the individuals who are a part of it. Society forces conformity on others, has individuals acting selfish, and lowers self-esteem which ultimately has a negativeRead MoreGroup Minds1068 Words   |  5 Pagesconsensus, now that’s negative peer pressure! Peer pressure will always be a problem and can affect anyone. I say that because no matter where you’re from or who you are, peer pressure is lurking about. Anytime you’re pressured to do something and your conscience is telling you not to do it, and you follow through with the task anyway, that is dismissing your opinion just to please other group members. Not wanting to be ostracized by others is the basis of conformity. Peer pressure does n’t discriminate againstRead MorePositive And Negative Impacts Of Social Media On Society853 Words   |  4 Pagesis what is influencing the deviant behavior, it can also be reconstructed in a way that decreases deviant behavior. According to Thaler and Sunstein, social pressures nudge people to accept some pretty odd conclusions (2009). Although the goal is not to get people to accept an odd conclusion, knowing that social pressures have that much effect on an individual if they are creative enough is vita; in the reconstruction process. Furthermore, it would be societies place to nudge deviant people to believeRead MoreConformity And Its Effect On Society1431 Words   |  6 Pagessociety if they don’t stick out with ideas opposite or different to the â€Å"main stream†. To answer the question what is CONFORMITY we ca use the description of psychologists who described it as: The most general concept and refers to any change in behaviour caused by another person or group; the individual acted in some way because of influence from others. (Breckler, 2006) Conformity can be caused by different reasons. For some people it will be a way of looking for clues of how to behave, as otherRead MoreThe Effects Of Peer Pressure On Youth1237 Words   |  5 Pagesaccomplish goals. Peer pressure has been identified as a big impact on teenagers, and contrary to popular belief, Secure Teen (2013) has found that peer pressure may encourage positive influences on our youth. To promote motivation and a high self-esteem students could participate in groups to thrive in the classroom. These groups would be called N-I-A-F (No-one is a failure), not a typical study group or therapy, a community of academic socializing to motivate students toward success. Peers would encourageRead MoreGender Identity : Gender And Masculinity Essay1509 Words   |  7 PagesResearch continues to discover how gender identity develops among adolescents. A study done by Arizona State University examined the peer influence on gender identity development in adolescence. The researchers used four components of gender identity, gender typicality, gender contentedness, intergroup bias, and felt pressure to conform to gender roles, to examine â€Å"peer influence on GI [gender identity] in adolescent friendship networks† (Kornienko, et al. 1). They wondered if friends adapt similar

Agony And Ectacy Essay Example For Students

Agony And Ectacy Essay THEME:When looking at the life of one of historys greatest men, the lessons we might learn are countless, despite Irving Stones fictional twists. Before we can begin to examine The Agony and the Ecstasy, we must understand Michelangelo and other artists as Stone saw them. Stone considered the artist a creator as well as a part of creation, just as God is seen in many of todays ideologies. Michelangelos life can likewise be paralleled to Genesis. At first Michael is lonely and friendless, he then decides to take up and apprenticeship and create works of art just as the Lord years to love and creates man. His creation however will face the evils of envy and jealousy just as we must in our everyday-lives. Knowing this we can best point out several themes and ideas one of which is the idea that we are always under the Lords watch and that while we may not always notice his deeds he is listening. This idea of God is personified in Bertolodo but may also be seen through Michelangelos life itself. Time and time again he is spared from the anger of unsatisfied customers by the popes (messengers from God). While the popes also seem to cause him troubles however the reality of the matter is that their imposings actually benefit him and when they do not the Pope seems to conveniently pass away. It is because of Guilio that Michelangelo betters himself by becoming an engineer and because of Paul III becomes an architect, finally, through Julius he expands his trade to bronze. Yet another of the many clear themes is the majesty and divinity of art but most importantly its required devotion and incapability with business and social life.SETTING:The Agony and the Ecstasy gives the reader a vivid view into the world of Michelangelo Buonarroti. Detailed descriptions of the people, culture and architecture of Italy actually are vividly portrayed. Cities included are Rome, Florentine, Settigano and Bologna during the 80 years of Michelangelos career in the 13th and 14th centuries. BASIC PLOT:Just as his father, the young Florentine boy examining his reflection in the mirror of his cramped bedroom, while most of Florence slept, was unfortunate enough to have been born at the wrong time. Moreover, just as his father, Michelangelo Buonarroti would inherit a longevity of life during which he would encounter great people, making long-lasting friendships with some of the most famous in Europe, discovering heated rivalries and malices between the most powerful and feared men of over half a century and forge passionate eternal love affairs with the most beautiful women of Italy. For now however Michelangelo would have to attend to more urgent matters in particular his application for apprenticeship under Florences greatest painter of the time, Ghirlandaio.It took little convincing for the great master to discover the talent in Michelangelo that his apprentice and Michelangelos only friend, Granacci, had spoken about. The greatness of this talent was perhaps best exemp lified when Ghirlandaio actually decided to pay Michelangelo for his apprenticeship in order to appease the boys extremely frugal yet lazy father Lodovico. Despite his impoverished familys protests, Michelangelo continued his apprenticeship, he was working as an artist, for once in his life he found friendships and a feeling of belonging through the other apprentices; nothing could draw him away from his vocation except of course, the passion and yearning that had drawn him to the apprenticeship. When he first applied to become Ghirlandaios apprentice, he had done so only because his birth had missed the great era of Florentine sculpting by several decades. Since he was a small child living on the family farm in Settigano, near the rock quarries of the Topolinos, Michelangelo yearned to wield the hammer and chisel, to model shapeless and plain marble into models of beauty. His master understood this quiet plainly and thus when Lorenzo Medici, the most richest and most powerful man i n Europe after the pope, requested two of his apprentices for his new school of sculpting, Ghirlandaio knew plainly who he must release from his contract. Although greatly disappointed about having to leave Ghirlandaio, with whom he had grown attached, Michelangelo was overwhelmed with joy at his entry to his acceptance into Lorenzos sculpture garden. The master of the garden and Donatellos inheritor, Bertolodo, had recognized the same talent Ghirlandaio had recognized and took an immediate but concealed interest in all his work. Bertolodo considered Michael his one student with great potential and knew immediately that he must learn discipline while testing his love of the art. Bertolodos trial by fire would be a difficult one for the young artist but in the end he proved his dedication and the true apprenticeship began. During Michaels ordeal his only driving force was the beautiful and radiant daughter of Lorenzo, Cortessina de Medici and her daily visits to the garden. When he b ecame Bertollodos disciple and eventually Lorenzos adopted son; Michelangelo becomes ever the more closer with Cortessina, during which time they discover themselves to be soul mates. As wonderful the latest turn of events were the evils of jealousy and envy would shortly destroy his happinessthis unfortunate trend would come to dominate his life. Michelangelo thought that with his new income his family would be ecstatic, instead they were upset and envious. He was certain that his close relationship with Lorenzo would widen his circle of friends instead he enraged the Medici sons who were against the entry of an outsider into the family. He prayed that he might forge a closer relationship with Cortessina but instead he discovered that a contract was signed and for a political marriage. Finally he was confident that his artwork would be admired by all, instead his fellow artists became jealous and envious; a former friend, Torrigiani, even broke his nose in a rage. As if Michaels tr oubles were not large enough with the constant blackmail and bickering of customers desiring to commission Michelangelo and both his biological and adopted families fighting, an obsessive monk named Savonarolla, began a massive movement for drastic political and religious reform and attacked the Medicis and their art just before Bertolodo fell sick and died. Michelangelo had by then carved such masterpieces as the Madonna of the Stairs, the Centaurs and was working on the Medici Faade now he would have to finish them alone, without his great instructor. Lorenzo was preparing to eliminate the Savonarola threat just before he, like Bertolodo, fell sick. Yes Lorenzo had the wealth, power, and friendships to stop the monk but he was void of his health and while the monk had little by way of material possession, he certainly had the upper hand in the minds of the people. In the end, Lorenzo passed away leaving his eldest son, Piero in his place. He is an incompetent ruler however and rei gns as a tyrant until the Savonarola backed by the Medici cousins who were adamantly opposed to Pieros rule, and Charles the VIII of France, drove Piero from the city. While the Medici family made their exodus from Florence, Michelangelo worked his best to preserve the Medici artwork the mob would undoubtedly ransack. After doing all in his power, Michael fled for Bologna where he met Gianfrancesco Aldovrandi, an associate he had made during a dinner with Lorenzo Medici several months earlier. Aldovrandi offered Michael a home but more importantly he introduced the now 19-year-old sculptor to the beautiful young Clarrissa Saffi. Just as Cortessina completed him spiritually, Clarrissa made Michelangelo physically whole. After secretly dissecting several human cadavers and applying what he observed in his Goliath, Michael completed a Tomb at San Domenico rather quickly. Although he would miss Clarissa his homesickness had over come him. Upon his return, Michael discovered that Savonar ola had declared war on the Pope. In the meantime, Michael received a large square of marble as a birthday gift from Ganacci. With the birthday stone, Michael carved a Cupid forged to look like a classical Roman statue. This would sculpture attract a banker from Rome, Leo Baglionli. During his future years in Rome, Michelangelo met, Jacopo Gali, Giulliano Sangallo an architect and Bramante his rival architect. In Rome, Michael completed the Pieta and returned to Florence, where his rivalry with Leonardo Da Vinci summoned the interest of Pope Julius who will keep the Master Sculpture under contracts for a good portion of his life under such commissions as the Sistine Chapels ceiling, his own sarcophagus, and a bronze statue of himself. Furthermore, Julius resolves to build a new St. Peters Cathedral. Julius was proceeded by two Medici popes, Giovani and Giulio who proved to be just as difficult as their forerunner. During their reigns, Michael was forced to become an engineer and an architect. After they finally departed, the two Medicis were replaced by Pope Paul III, one of the few clients whom Michelangelo can work with. Under the popes, Michael had received countless, unrejectable orders and had been burdened with an overwhelming number of commissions each with its own threatening warmonger. With Pope Paul III however, Michelangelo could finally work and express himself freely. Besides painting the Last Judgement and the frescoes of the Pauline Chapel, Michael was allowed to carve his own tomb and appointed the architect for St. Peters which he would fully design. Nearing the end of his life, Michelangelo Buonarroti had out lived his parents, four brothers, all of his former friends, three lovers, four great rivals, countless popes and many of his apprentices. In the end he had only his lover, Tommaso. After a long and eventful life, Michelangelo would finally meet the God, which he had so dearly loved throughout his lifetime. MAJOR CHARACTERS:Michelangelo Buonarroti-The protagonist of the novel, Michelangelo personifies the Humanist spirit of the Italian Renaissance. He is seen almost as an all-powerful creator of great devotion, dedication and passion for his artwork. The force and energy that he derives from his love, sculpting, create massive conflicts between his desires and the business and politics of his day and age. He is so consumed by his work that he is torn from any hopes of enjoying any social indulgences but is compensated with his work. Moreover, because of his great emotions and yearning for love he becomes easily taken advantage over. The Medicis-No other family more effects Michelangelos life than the Medici. The play a key role in the development of the plot and theme but also express all of the multiple types of conflicts and relationships that rise as a result of devotion and love of his art. Yes his very being wins him the admiration respect and love of Lorenzo however he dies early in Michaels life. The classic hero development thus begins, as Michael no longer has his old instructor in life. Through Contessina we clearly see the love that Michelangelos lifestyle could never translate into a secure relationship but instead one of yearning. Piero represents the conflict that arises between brutality and the finesse of art. Giovanni likewise represents the conflict between the art and extreme indulgence. Finally Guilios disposition and relationship signifies the incompatibility between art and destruction.The Popes-As it is explained in the theme, the Popes play a major role in theme development. It is they we discover, that truly shape Michelangelos career and will serve as Gods savants to help Michael. .u70393cc3eddf4e7983e2a08374f2b97d , .u70393cc3eddf4e7983e2a08374f2b97d .postImageUrl , .u70393cc3eddf4e7983e2a08374f2b97d .centered-text-area { min-height: 80px; position: relative; } .u70393cc3eddf4e7983e2a08374f2b97d , .u70393cc3eddf4e7983e2a08374f2b97d:hover , .u70393cc3eddf4e7983e2a08374f2b97d:visited , .u70393cc3eddf4e7983e2a08374f2b97d:active { border:0!important; } .u70393cc3eddf4e7983e2a08374f2b97d .clearfix:after { content: ""; display: table; clear: both; } .u70393cc3eddf4e7983e2a08374f2b97d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u70393cc3eddf4e7983e2a08374f2b97d:active , .u70393cc3eddf4e7983e2a08374f2b97d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u70393cc3eddf4e7983e2a08374f2b97d .centered-text-area { width: 100%; position: relative ; } .u70393cc3eddf4e7983e2a08374f2b97d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u70393cc3eddf4e7983e2a08374f2b97d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u70393cc3eddf4e7983e2a08374f2b97d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u70393cc3eddf4e7983e2a08374f2b97d:hover .ctaButton { background-color: #34495E!important; } .u70393cc3eddf4e7983e2a08374f2b97d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u70393cc3eddf4e7983e2a08374f2b97d .u70393cc3eddf4e7983e2a08374f2b97d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u70393cc3eddf4e7983e2a08374f2b97d:after { content: ""; display: block; clear: both; } READ: Fences Essay

Julius Caesar Argumentative Essay Example For Students

Julius Caesar Argumentative Essay The era of Julius Caesar was a time when many peoples feelings toward thegovernment began to change. This was one of the first times in Roman historywhen people began to question the power of their ruler. In the play, The Tragedyof Julius Caesar by William Shakespeare, we see a brief picture of this Romanlife during the time of the First Triumvirate. In this snap shot, manyunfortunate things occur as a result of these strong feelings towards thegovernment of that time. Shakespeare gives us the idea that many people try tocircumvent what the future holds, such as unfortunate things, by beingsuperstitious. Superstition seems to play a role in the basic daily life of mostRoman citizens, and exists as an important, deciding factor in the events andoutcome of the play itself. The setting of the first scene of the play is basedupon superstition. The Feast of Lupercal is in honor of the god Pan, the queenof fertility. During this time, infertile females are supposed to be able toprocreate, and fertile ones are supposed to be able to bear more. It is also asupposed time of sexual glorification and happiness. Other scenes depict howmysterious sooth-sayers, who are supposedly given the power to predict thefuture, roam the streets of Rome. Dictating what is to come through tersetidbits, these people may also be looked upon as superstitious. In the openingscene, one sooth-sayer, old in his years, warns Caesar to Beware the Idesof March, an admonition of Caesars impending death. Although sooth-sayersare looked upon by many as insane, out of touch lower classmen, a good deal ofthem, obviously including the sayer Caesar encountered, are indeed right on themark. Since they lack any formal office or shop, and they predict forthcomingswithout fee, one can see quite easily why citizens would distrust theirpredictions. Superstition, in general elements such as the Feast of Lupercal, aswell as on a personal level such as with the sooth-sayers, is an importantfactor in determining t he events and the outcome of The Tragedy of JuliusCaesar, and a significant force throughout the entire course of the play. Beforethe play fully unravels, we see other signs of Caesars tragic end. Aside fromthe sooth-sayers warning, we see another sign during Caesars visit with theAugerers, the latter day psychics. They find No heart in thebeast, which they interpret as advice to Caesar that he should remain athome. Caesar brushes it off and thinks of it as a rebuke from the gods, meaningthat he is a coward if he does not go out, and so he dismisses the wise adviceas hearsay. However, the next morning, his wife Calpurnia wakes up frighteneddue to a horrible nightmare. She tells Caesar of a battle breaking out in theheart of Rome, Which drizzled blood upon the Capitol, with Caesarpainfully dying, such that The heavens themselves blaze forth the deathof princes. Although Caesar realizes Calpurnia is truly concerned abouthis well being, he seeks another interpretation, coming to the co nclusion thatthe person who imagines the dream may not be the wisest one to interpret itsmeaning. Later Caesar tells his faithful companion Decius about it, and heinterprets it quite the contrary, That it was a vision fair andfortunate, and indeed, today is an ideal day to go out, since this is theday To give a crown to mighty Caesar. Perhaps Decius is implyinghere that today is a day where much appreciation and appraisal will be given toCaesar, surely not the endangerment of his well being as Calpurnia interpretsit. Caesar predictably agrees with him, as most citizens enjoy believing themore positive of two interpretations. After Caesars assassination at the handof Brutus, Cassius, and the rest of the conspirators, Brutus and Cassius arechased into the countryside, where we see a few superstitious signs of theirforthcoming painful death in battle. In a dream, Brutus sees Caesarsghost, interpreted as an omen of his defeat. He also looks upon theensign, and instead of the usual stock of eagles, ravens and kites replace them,construed as another sign of their loss at Phillipi. Not surprisingly, Caesarsdeath is avenged in the end, with two of the conspirators, Titanius andBrutus double suicide. The play, The Tragedy of Julius Caesar, by WilliamShakespeare, clearly reveals how important superstition was to the people ofRome at the time of Caesar, and to the play itself. Superstition was used by thepeople of Rome to somehow change the unfortunate occurrences that inevitablywaited for them in the future. The Romans, with their government in a state ofturmoil, wanted to believe that they were somehow in control of their destinyand the unfortunate happenings that could occur, when in fact, they were not. .u0203865132d0b1207335730ae10d7b3e , .u0203865132d0b1207335730ae10d7b3e .postImageUrl , .u0203865132d0b1207335730ae10d7b3e .centered-text-area { min-height: 80px; position: relative; } .u0203865132d0b1207335730ae10d7b3e , .u0203865132d0b1207335730ae10d7b3e:hover , .u0203865132d0b1207335730ae10d7b3e:visited , .u0203865132d0b1207335730ae10d7b3e:active { border:0!important; } .u0203865132d0b1207335730ae10d7b3e .clearfix:after { content: ""; display: table; clear: both; } .u0203865132d0b1207335730ae10d7b3e { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u0203865132d0b1207335730ae10d7b3e:active , .u0203865132d0b1207335730ae10d7b3e:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u0203865132d0b1207335730ae10d7b3e .centered-text-area { width: 100%; position: relative ; } .u0203865132d0b1207335730ae10d7b3e .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u0203865132d0b1207335730ae10d7b3e .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u0203865132d0b1207335730ae10d7b3e .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u0203865132d0b1207335730ae10d7b3e:hover .ctaButton { background-color: #34495E!important; } .u0203865132d0b1207335730ae10d7b3e .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u0203865132d0b1207335730ae10d7b3e .u0203865132d0b1207335730ae10d7b3e-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u0203865132d0b1207335730ae10d7b3e:after { content: ""; display: block; clear: both; } READ: Punk Profile Essay The armies of Brutus and Cassius set up camps near another city and knowing that Antonys soldiers are coming, they decide to march toward the enemy at once. The fighting begins with the confrontation of the two sides, as Cassius and Brutus armies arrive. Antony and his partner challenge the assassins to fight, and the bloody battle begins. The armies of the conspirators fall into vulnerability many times, and their side does poorly, losing many men. Cassius hears mistakenly that one of his important soldiers has been captured, loses hope, and commits suicide, while Brutus feels that his army has been cornered, and throws himself onto another mans sword, killing himself also. They call off the rest of the battle, for Antonys army now had victory over Brutus and Cassius, Caesars murder had been avenged, and order had been restored. CHARACTERS:There are a couple of main characters in this story. Caesar is well liked by the citizens of Rome, yet is a somewhat arrogant man and believes himself to be above everybody else. He is given praise often and honored by events such as a holiday in his name. However, several men do not agree that Caesar should have such a high title, as they despise his character. These six men conspire to kill the emperor to end what they see as his tyranny and oppression in Rome. A man named Cassius organizes the event, while a powerful figure, Brutus, persuades Caesar to come to the senate, where he is to be killed. While the emperor argues with one of the conspirators, a man named Casca stabs him in the back, and the other men follow and wound him with their swords until he falls to the ground, dead. EVALUATION:In this play, Shakespeare gave morals to the audience about right and wrong and acting upon ones opinion. He showed that one should not bring death to someone else based on their personal desires, or whether they believe it is in the best interest of their society, for they are only one person out of the many who have a voice. He also implies that if one commits an act of wrong, justified, or not, they can expect to be punished for it by the others who were hurt by those actions.